2024年春季,《我的英雄学院》电视动画第七季将正式开播。这一消息的发布同时也揭晓了最新的视觉图。由角色设计师马越嘉彦全新绘制,Bones制作的这张视觉图展示了在第六季的“全面战争篇”和“黑色英雄篇”之后,绿谷出久、爆豪胜己、丽日御茶子和轰焦冻为迎接与死柄木和All For One的最终决战而整装待发的姿态。
第七季的剧情将从原作漫画第34卷的第329话开始。预计将会有比第六季更加激烈的战斗场面和更加紧凑的剧情展开。我们的英雄候补生们将超越自我,深化与伙伴之间的羁绊,迎接与敌人的最终对决。
特别值得关注的是,绿谷出久的成长以及他所肩负的“ONE FOR ALL”力量的真正觉醒。爆豪胜己热血沸腾的战斗风格、丽日御茶子的温柔与坚毅交织的瞬间、轰焦冻内心的矛盾与家庭的羁绊,这些都将成为粉丝们不容错过的精彩片段。
新的视觉图中,每个角色的决心和觉悟都显露无遗,进一步提升了观众的期待值。在期待第七季开播的同时,让我们关注他们的成长和战斗的进程,给予他们热烈的支持和期待。
《只有神知道的世界 女神篇》(神のみぞ知るセカイ 女神篇,The World God Only Knows Goddesses)是由日本动画公司Manglobe制作的电视动画作品,于2013年7月8日播放,全12话。作品改编自漫画《只有神知道的世界》。在2013年4月上旬,原作者若木民喜曾在推特上透露了第3季会在7月开播,而随后出版的杂志中,《只有神知道的世界》正式宣布TV动画第3季的播放档期为同年夏季。 [5] 第3季的标题为《只有神知道的世界 女神篇》。顾名思义,第3季的剧情主线是从原作漫画第7卷开始的长篇故事“女神篇”。故事的舞台是名为舞岛学园的学校,身为主人公的桂木桂马是个沉溺于Galgame(恋爱游戏)的高中生。只要是Galgame中的二次元可攻略角色,没有他攻略不了的对象,因此被称为二次元的“攻陷之神”。而与此同时,他对于每位二次元美少女的爱也是货真价实的。有一天,桂马意外地与恶魔订下契约,而不得不攻略三次元的女孩。于是,二次元“攻陷之神”的三次元攻略之路由此启程。
The ninja turtles are back! But with a TV show. When the Turtles get accepted as humans, and go to high school while being heroes, they are now being pressured Of Doing both things at the same time. With the OG villain of the 1987 TV show, the turtles also have to fight the Shredder.
A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “graceful and tender insubordination” to emerge.
Iran, 1980. After an Iraqi missile strike, the oil metropolis of Abadan descends into chaos. Fourteen-year-old Omid, who works as a food delivery boy, is searching for his missing brother – and for an escape route out of the besieged city.
In a world tormented by the Horror, the citizens of Birdabad accept the egg-eating tyranny of Kondor and his carrion crew as the price of safety. Gathered in exuberant daily ritual around the great Egguilibrium mechanism, which is tended by the silent owl, Hasan, they unthinkingly trade their eggs for fruit. Hupu, a beautiful and reckless young bird, is determined to save her egg from this terrible fate and with the help of Hasan, who is her husband, and a magical seed, she opposes Kondor and disrupts the system. In the wild chase that follows Hupu, Hasan, Kondor and a tiny busy-body chick called Mi, find themselves flung out of Birdabad into the jaws of the Horror. Terrified, confused, murderously angry with each other, this ill-assorted band form a reluctant alliance with a most peculiar guide, who promises to help them get home, if they will help him reach the Sun. Only Hupu knows that their guide is blind. Travelling from a vast modern city to the top of a volcano, down the ...
Mavka - a beautiful forest nymph and soul of the Forest - faces an impossible choice between love and her duty as guardian to the Heart of the Forest, when she falls in love with a human - the talented young musician Lukash. Our story is about the magical power of love. That kind of love that enables human nature to find the magic within and reveals abilities and qualities that empower a person to reach beyond possible and to hold against evil and human vice.
The plot introduces us to a psychologist who suggests to three couples that they engage in a group session, where they will have to analyse each other without her being present. In order to do so, she has left them a number of envelopes containing instructions on the things they have to address. The method she has proposed encourages everyone to share their opinions, argue with...